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Adam Freeland, On Tour
Audio CD
Disk ID: 912236
Disk length: 1h 12m 44s (14 Tracks)
Original Release Date: 2001
Label: Unknown
View all albums by Adam Freeland...
1. Intro | 0:15 |
2. Fluke - Absurd (Adam Freeland & ILS remix) | 6:05 |
3. KC Flight Vs. Funky Junction - Voices (PMT remix) | 6:10 |
4. Cause for Concern - Phat Cap | 5:07 |
5. Pressure Drop - Warrior Sound (Adam Freeland remix) | 7:38 |
6. Exile - Neuroscan | 5:22 |
7. Quinn Whalley - Hold Tight | 5:15 |
8. ILS - 6 Space | 4:23 |
9. Bushwacka! - Monster | 6:35 |
10. Uberzone - Rhythm Device | 6:06 |
11. Sound Workers - Fraunenliebe | 2:26 |
12. Forme - Percussive Thinking | 5:27 |
13. Bushwacka! - The Egyptian | 6:37 |
14. Radioactive Man - Uranium | 5:08 |
Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.
Review
King of the new-school breakbeats, Adam Freeland returns with On Tour, a misleading title for an album assembled in Freeland's U.K. studio, with audience applause tacked on. Not surprisingly, given Freeland's ear for a good track, this studio trickery doesn't hinder the disc's moving or grooving.
Though On Tour begins with bubbling burners by Fluke, KC Flight vs. Funky Junction, and Cause for Concern, it doesn't really get interesting until Pressure Drop's hit "Warrior Sound." From there the music gets looser and the sounds freakier, as with the black-hearted bump of Exile's "Neuroscan," Quinn Whalley's dubbed-out "Hold Tight," and Ils's "6 Space," which drops a rolling beat that cries out for a breakdancer.
Freeland slowly spins the mix deeper, as if descending a long tunnel. Bushwacka!'s "Monster" provides some light with its feel-good rhythm, and Uberzone's "Rhythm Device" is equally bouncy with wild cowboys-and-Indians cries and sci-fi missile zingers. The freakiness continues with the Nuremberg rally vibe of Sound Worker's "Fraunenliebe," which is eerily beatless, segueing into Forme's frigid "Percussive Thinking" and Bushwacka!'s rumbling "The Egyptian." Throughout, Freeland conjures spooky sounds atop his clinking beats, as if creating the final dance mix for a nuclear winter. --Ken Micallef
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