Ear Training for Instrumentalists - Matt Glaser, Disk 6 - 60m 13s

Tracks & Durations

1. Greeting and lesson overview	1:11
2. Method	0:39
3. Tuning	0:14
4. Lester Young solo from Lady Be Good	2:48
5. 1st 8 bars - played	0:20
6. 1st 8 bars - analysis (phrases)	0:37
7. 1st 8 bars - played and sung	0:22
8. 1st 8 bars - pitch analysis	0:33
9. 2nd 8 bars - played	1:03
10. 1st 16 bars - played	0:51
11. 2nd 8 bars - analysis	0:53
12. Bridge and last A section of 1st chorus: played	1:44
13. 1st 32 bars - played	2:15
14. 2nd 32 bars - played	1:08
15. Compositional analysis	1:03
16. 1st 8 bars of 2nd chorus - played	0:49
17. 1st 8 bars of 2nd chorus - analyzed	2:29
18. 1st 2 A sections of 2nd chorus - played	0:47
19. 1st two A sections played (w/ metronome)	1:44
20. 2nd chorus bridge 1st phrase - played	1:17
21. 2nd chorus bridge 2nd phrase - played	0:12
22. 2nd chorus bridge - played	0:40
23. Bridge and last A section - played	0:32
24. Last A section - played	1:22
25. Chromatic phrase - sung (solfege)	0:45
26. Over-the-bar-line phrasing	1:12
27. Solo played with piano accompaniment	2:01
28. Scale patterns and musical structures	0:52
29. Major scale	0:32
30. A scale in thirds (major scale)	0:39
31. A scale in triads (major scale)	0:49
32. A scale in 7ths (major scale)	1:23
33. Phrases on a scale (major scale)	2:33
34. Whole tone scale	0:21
35. A scale in thirds (whole tone scale)	1:51
36. Diatonic triads on whole tone steps	1:09
37. Augmented triads on whole tone steps	2:47
38. 1-2-3-1 on a diminished 7th arpeggio	0:43
39. 1-2-3-1 on a diminished 7th arpeggio	0:54
40. 1-2-3-1 on an augmented triad	3:52
41. Perfect 4ths and flatted 5ths	4:18
42. The rhythmic element	1:16
43. Three-beat phrase in 4/4 time	0:43
44. Series summary	5:33

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