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Jah Thomas, Big Dance Dub CD cover artwork

Jah Thomas, Big Dance Dub

Audio CD

Disk ID: 1785746

Disk length: 55m 41s (14 Tracks)

Original Release Date: 2005

Label: Unknown

View all albums by Jah Thomas...

Tracks & Durations

1. Big Dance Dub 4:23
2. Buy Mi Dub 4:24
3. Party Time Dub 4:17
4. Dub Mi Cars 4:00
5. London City Dub 4:10
6. Control Them Dub 4:09
7. Free It Dub 3:38
8. Few More Dubs 3:59
9. Gimme Dub 2:56
10. Dancehall Dub 3:42
11. Grudgeful Dub 3:48
12. Gun Dub 4:27
13. Glimity Dub 4:01
14. Together In Dub 3:36

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

Dub wise -- the art of space, subtraction, noise and silence. Bass abstraction. The wild suspense that leaves the listener teetering on the edge of a void -- a void in which erroneous ideas of space and linear time are left behind. Jah Thomas worked with earlier genius alchemists of the genre -- men such as Scientist and King Tubby, who tore up the old maps and musical blueprints and designed their own to accurately represent their inner journeys. Now Jah Thomas has returned with the cream of today’s dub wise strategists with a selection of tunes recorded at Black Scorpio and Tuff Gong Studios . Featured here are mixes from the likes of Mafia and Fluxy, fresh from their works for the great Gussie P. Featured also are The Firehouse Crew, who have worked with Zulu Warrior Jah Shaka, and legends such as Max Romeo and Willie Williams. Also showcased is Style Scott, the man behind the majority of the hardest ONU Sound mixes. Tune into the digital steppers of “Few More Dubs” with its flayed zinc metal high hat work, the rhythm’s high frequencies turned inside out. Check out the eerie drum and bass of “Gimmie Dub”, a structure to play with your perceptions of time, as the rhythm movement breaks down into a spiral of echoes. Listen to the darker threat of “Glimmity Dub” as the DNA of the beats is broken down, and rhythms are dissected mercilessly. Jah Thomas has returned in fine revolutionary style. Gregory Whitfield, July 2005.

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