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Lonnie Johnson, Playing with the Strings CD cover artwork

Lonnie Johnson, Playing with the Strings

Audio CD

Disk ID: 1625637

Disk length: 1h 13m 52s (24 Tracks)

Original Release Date: 1994

Label: Unknown

View all albums by Lonnie Johnson...

Tracks & Durations

1. Won't Don't Blues 3:07
2. Mr. Johnson's Blues 2:43
3. Falling Rain Blues 3:05
4. Now Good Blues 2:37
5. Newport Blues 2:38
6. Nile of Genago 2:46
7. To Do This You Gotta Know How 3:10
8. Four Hands Are Better Than Two 3:27
9. I'm Not Rough 3:04
10. Hotter Than That 3:04
11. Savoy Blues 3:31
12. Playing With the Strings 2:59
13. Stompin' 'Em Along Slow 2:55
14. The Moochie 3:20
15. Move Over 3:10
16. Hot and Bothered 3:23
17. Paducah 3:00
18. Star Dust 3:02
19. Jet Black Blues 3:05
20. Blue Blood Blues 3:02
21. Sitting on Top of the World 3:06
22. Kansas City Man Blues 2:58
23. I'm Nuts About That 3:14
24. Racketeers Blues 3:12

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

From the 1920s to the 1960s, guitarist Lonnie Johnson broke new ground for jazz and blues guitar, performing stunning displays of six-string virtuosity on recordings with Louis Armstrong, Duke Ellington, Kid Ory, and on numerous solo efforts. But, perhaps because he was so versatile--jumping between hundreds of Delta blues and hot-jazz studio sessions--he's never received his due accolades for being one of the great guitar pioneers. Playing with the Strings captures Johnson's earliest output, from the 1925 recordings with Charlton Creath's Jazz-O-Maniacs to the stunning 1932 solo 78 he recorded featuring "I'm Nuts About That Gal" and "Racketeers Blues." JSP's compilation shows how, in just seven years, Johnson went from playing in Louis Armstrong's Hot Five to working with Duke Ellington to performing in one of the first interracial studio sessions with Eddie Lang, King Oliver, and Hoagy Carmichael (all performing as Blind Willie Dunn's Gin Bottle Four). Throughout, Johnson is in top form on guitar, picking single-note lines in a fashion that would anticipate future jazz guitar sounds. We can hear Johnson playing other instruments, too--kazoo, violin, and banjo--but his guitar mastery steals the show. JSP's transfers of these old 78s are at times spotty, but it's still a great collection of classic tunes. --Jason Verlinde

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