Omar Faruk Tekbilek, Mystical Garden - 1h 6m 6s

Tracks & Durations

1. Other Side of the River	8:56
2. Magic of the Evening	6:51
3. Laz	3:57
4. Shashkin	6:50
5. Hasret	8:55
6. Egyptian Dance	5:08
7. Three Last Words	8:34
8. Mystical Garden	7:06
9. Hu Allah	9:42

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Review

Working with longtime producer-multi-instrumentalist Brine Keane, Omar Faruk Tekbilek creates evocative soundscapes of Middle Eastern origin, both original compositions and arrangements of traditional material. Ney, kavala, zurna, baglama, oud, bendir and cumbus are set in a discreet wash of synthesizer drones and percussion parts performed by five members of his ensemble. The tone is light but spiritual, retaining an affinity to his heritage--but with a nod to contemporary New Age sensibilities, especially in the simple arrangements and occasional use of ambient nature sound effects. However, the strength of musicianship and commitment to tradition assures that Mystical Garden stays firmly rooted in the pastures of Allah and not in the organic flower borders of background music. Tekbilek makes original and uplifting music that consistently rewards the listener. --Derek RathOmar Faruk Tekbilek continues to delight Western listeners with a vast array of Middle Eastern musical traditions. As the follow up to his debut solo recording Whirling, Mystical Garden combines Faruk's musical mastery, composition and mystical influences creating a soulful and emotional musical journey. Mystical Garden (and the self-titled track) is a variation on a theme. It is the reflection of Faruk's inspiration by "the unity of the Mystical life. The garden is an island surrounded by the ocean of sincerity. Everyone with their sincere hearts chanting God's name in their language. In essence, we are the flowers owned by the one and only Gardener." Mystical Garden places more emphasis on Faruk's writing, featuring five original tracks. And there is a greater emphasis on the stellar musicianship of the players. Egyptian Dance demonstrates traditional Egyptian motives, with variations on the rhythm and the scales. Hu Allah continues to tell Faruk's story in the garden, with his soulful voice over a bed of chanting, nature sounds, and orchestration, along with oud, ney, and bendir. As the last track, this piece leaves the listener in a peaceful trance. To compare Faruk to Western musicians, it would be as if one musician was a master of the drums, percussion, guitar, flute, recorder, oboe, and more. Add to this Faruk's mystical influences, and the listener is in for an extraordinary experience.

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