The Love Hall Tryst, Songs of Misfortune - 50m 20s

Tracks & Durations

1. Do Not Fear the Dark	2:59
2. Joan of Arc (The Ballad of La Pucelle)	3:46
3. Lord Bateman	6:13
4. Female Rambling Sailor	3:53
5. Lord Lovel	2:35
6. The Sanguinary Butcher	3:48
7. Shallow Brown	3:48
8. Lambkin	3:06
9. The Lady Dressed in Green	2:45
10. The Abandoned Baby	3:27
11. Jack in the Green	2:10
12. Do Not Fear the Dark (electric)	4:22
13. Lord Bateman (electric)	7:20

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

In a beguiling bit of cross-promotion, this motley madrigal quartet of ringers performs a largely a cappella selection of songs mentioned in Misfortune, the debut novel by Wesley Stace (better known in musical circles as John Wesley Harding). Supporting Harding's reedy tenor in the Love Hall Tryst are the bass voice of Brian Lohmann and the soaring duo of Kelly Hogan and Nora O'Connor, who adapt their interpretive styles to suit the musical source. Most of the material is traditional British folk balladry as adapted by Harding, though a lovely reading of Leonard Cohen's "Joan of Arc" is a highlight. The results fall somewhere between unplugged, unaccompanied Fairport Convention and the Elizabethan era's Mamas and the Papas. Confirming that the modern era has no monopoly on murder songs, the bloodlust and body count on Songs of Misfortune rival that on any gangsta rap CD. --Don McLeeseWhy are British expatriate singer-songwriter John Wesley Harding, U.S. country/jazz/folk solo artists Kelly Hogan and Nora O'Connor and actor-vocalist Brian Lohmann singing traditional British folk songs in a converted bank?

In 1987, Wesley Stace, soon known as John Wesley Harding (a.k.a "Wes"), thought up the opening lines for a song about a foundling baby boy raised as a girl. Six years later the song was completed as "Miss Fortune" and frequently performed by Harding before and after its release on his 1998 CD, "Awake." But, says Harding, "When you sing a song for years onstage…you think about the song. The one thing I thought about that song is that I never ended it. What about that character?"

Wes answered his own question by writing a huge 19th Century historical novel, "Misfortune," published under his original name in 2005 to acclaim in USA Today, Entertainment Weekly, and other publications.

The book is studded with traditional British folk songs adapted by Harding, and some camouflaged original compositions. These songs "demanded to be sung in a very specific way," says Wes, so he convened The Love Hall Tryst, a mostly a cappella quartet comprising himself, friend and occasional collaborator Hogan, her favorite singing partner, O'Connor, and bass singer Lohmann. They used the Troy, NY, Savings Bank, a cavernous recording hall with incredible natural reverb.

Like its source, "Songs of Misfortune" isn't exactly a romp in the Victorian meadows. Wes says, "None of (the old songs) have happy endings." Greed, envy, treachery, and murder are on full display here. But redeeming these tales are the ringing voices of the Tryst - cascades of mesmerizing harmonies surround the melody lines shared by all four singers. Even the grimmest scenarios are enlivened by the beauty of the vocals and the authenticity of presentation. Two songs appear in both unaccompanied and blazing, Fairport-ish electric versions, the latter provided by The Minstrel in the Galleries, Harding's occasional "mediaeval rock" band of Seattle musicians.

Whether or not you've read Harding's novel, "Songs of Misfortune" stands on its own as a daring, rewarding adventure in musical scholarship, sublime arrangements and the eternal strength of the human voice.

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