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Corey harris, Downhome Sophisticate CD cover artwork

Corey harris, Downhome Sophisticate

Audio CD

Disk ID: 1624705

Disk length: 53m 7s (18 Tracks)

Original Release Date: 2002

Label: Unknown

View all albums by Corey harris...

Tracks & Durations

1. Giddyup 0:18
2. Frankie doris 2:52
3. Money on my mind 3:31
4. Don't let the devil ride 2:10
5. Keep your lamp trimmed and burning 2:53
6. Capitaine 2:06
7. Santoro 2:36
8. Fire on the radio 0:27
9. Fire 5:09
10. Bb 2:18
11. Downhome prelude 0:09
12. Downhome sophisticate 3:17
13. Sista rose 6:28
14. Black maria 4:32
15. Chinook 2:30
16. Money eye 4:04
17. Where the yellow cross the dog 1:53
18. F'shizza (santoro remix) 5:42

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Review

This singer-guitarist, discovered on the streets of New Orleans, has grown immensely since he emerged as the great black hope of acoustic blues with 1994's exceptional Between Midnight and Day. The electric Downhome Sophisticate is an often-superb sequel to his eclectic 1999 catalog of African American styles, Greens from the Garden--sprawling, but sparked by topical songwriting and Harris's raw-toned, Delta-fueled guitar and full-bodied singing. Harris infuses traditional blues with new blood, often by combining his sources. He tattoos an African vocal melody and guitar rhythm to a Mississippi fife-and-drum beat in the riveting antiwar number, "Fire," which is further stoked by psychedelic slide guitar. His 5x5 Band pump the traditional numbers "Don't Let the Devil Ride" and "Keep Your Lamp Trimmed and Burning" by giving Harris's sleazy bottleneck playing and raw howl a rock & roll bottom. "Santoro" and the title number are the best blues-hip-hop blends since Arrested Development's searing "Tennessee." There's also a smart samba excursion. But some experiments, like the funky "Frankie Doris" and the Fred McDowell acid trip "Money on My Mind," don't gel, and several instrumentals unspool aimlessly. Nonetheless, Harris is trying to transform one of the most idiom-bound genres into something personal and utterly modern. And that marks him as one of the music's most courageous contemporary artists. --Ted Drozdowski

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