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Marco Beltrami, Terminator 3: Rise of the Machines CD cover artwork

Marco Beltrami, Terminator 3: Rise of the Machines

Audio CD

Disk ID: 1987374

Disk length: 51m 32s (21 Tracks)

Original Release Date: 2003

Label: Unknown

View all albums by Marco Beltrami...

Tracks & Durations

1. A Day In The Life 3:41
2. Hooked On Multiphonics 1:48
3. Blonde Behind The Wheel 2:08
4. JC Theme 3:34
5. Starting T1 1:50
6. Hearse Rent A Car 1:49
7. TX's Hot Tail 3:39
8. Graveyard Shootout 1:31
9. More Deep Thoughts 0:58
10. Dual Terminator 0:51
11. Kicked In The Can 2:03
12. Magnetic Personality 4:36
13. Termina-Tricks 2:12
14. Flying Lessons 0:56
15. What Do You Want On Your Tombstone? 1:20
16. Terminator Tangle 3:22
17. Radio 2:23
18. T3 3:17
19. The Terminator 2:22
20. Open To Me 3:47
21. I Told You 3:12

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

Schwarzenegger's time-traveling, world-wrecking cyborg is back, but most of the original films' creative team and cast have been replaced here, with Italian-born composer Marco Beltrami (who's cut his journeyman chops on a raft of contemporary sci-fi/horror films and sequels, including the Scream franchise, Joy Ride, and Resident Evil) being a sage choice to score this third installment. Pumping Brad Fiedel's brooding original theme with even more menace, the composer proceeds to forge a massive, unsettling panorama of percussion-driven, electronic suffused orchestral fury that evokes an unsettling, mechanized world gone mad. Sounding like the symphonic sensibilities of Prokofiev and Shostakovich as interpreted by the mechanized forges and stamping machines of some hellish assembly line, Beltrami uses the most aggressive elements of 20th century Russian romanticism here like a steel club. There are moments of stem-winding suspense and surprisingly tranquil respites, but the main attraction is the sturm und drang of Beltrami's furious and often other-worldly action music. Also included are the gentle acoustic ballads "Open to Me" and "I Told You" by Dillon Dixon and Mia Julia, respectively, performances that seem jarringly out of place contrasted against the score's orchestral metal-fest. --Jerry McCulley

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