Miles Davis, Complete Vocalist Sessions - 1h 1m 11s

Tracks & Durations

1. That's The Stuff You Gotta Watch	2:52
2. Pointless Mama Blues	3:17
3. Deep Sea Blues	3:15
4. Bring It On Home	2:50
5. Oo Bop Sh'bam	3:04
6. I Love The Loveliness Of You	2:43
7. In The Still Of The Night	2:56
8. Jelly Jelly	3:19
9. Don't Sting Me The Blues	2:54
10. I've Always Got The Blues	3:10
11. Don't Explain To Me Baby	2:55
12. Baby, Won't You Make Up Your Mind	3:12
13. Ain't Misbehavin'	3:01
14. Goodnight My Love	3:28
15. Can't Get Out Of This Mood	2:50
16. It Might As Well Be Spring	3:13
17. Mean To Me	2:54
18. Come Rain Or Come Shine	3:25
19. Nice Work If Tou Can Get It	2:36
20. East Of The Sun	3:05

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Review

Davis was one of the great stylists and, more than any other improviser, he had dominated jazz not with blowing power or prodigious technique but with style alone. A good sample of his young style lies in the rarities compiled in this CD, all belonging to Davis' early days in the business-backing some different vocal performers. The first four numbers come from his very first recording session under the direction of Herbie Fields and for the Savoy label with singer Rubberlegs Williams, an ex dancer and vaudeville attraction turned blues shouter. The next four titles were recorded for National label as a member of the Billy Eckstine Orchestra. Tracks 9 to 12 were recorded for Sunset, an independent label from California, and were not released at the time. The final eight titles are the complete session made for Columbia by Sarah Vaughan with a small studio group including Davis. Definitive. 2005.Davis was One of the Great Stylists And, More Than Any Other Improviser, He Had Dominated Jazz Not with Blowing Power Or Prodigious Technique but with Style Alone. A Good Sample of his Young Style Lies in the Rarities Compiled in this CD, all Belonging to Davis' Early Days in the Business-backing Some Different Vocal Performers. The First Four Numbers Come from his Very First Recording Session under the Direction of Herbie Fields and for the Savoy Label with Singer Rubberlegs Williams, an Ex Dancer and Vaudeville Attraction Turned Blues Shouter. The Next Four Titles were Recorded for National Label as a Member of the Billy Eckstine Orchestra. Tracks Nine to 12 were Recorded for Sunset, an Independent Label from California, and were Not Released at the Time. The Final Eight Titles Are the Complete Session Made for Columbia by Sarah Vaughan with a Small Studio Group Including Davis.

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