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Momus, Ping Pong CD cover artwork

Momus, Ping Pong

Audio CD

Disk ID: 808921

Disk length: 1h 12m 3s (16 Tracks)

Original Release Date: 1997

Label: Unknown

View all albums by Momus...

Tracks & Durations

1. Ping Pong With Hong Kong King Kong (A Sing Song) 0:49
2. His Majesty The Baby 4:22
3. My Pervert Doppelganger 4:31
4. I Want You. But I Don't Need You 4:45
5. Professor Shaftenberg 3:33
6. Shoesize Of The Angel 6:32
7. The Age Of Information 4:36
8. The Sensation Of Orgasm 3:51
9. Anthem Of Shibuya 4:00
10. Lolitapop Dollhouse 4:08
11. Tamagotchi Press Officer 2:19
12. Space Jews 3:58
13. My Kindly Friend The Censor 3:52
14. The Animal That Desires 7:04
15. How To Get - And Stay - Famous 7:36
16. 2pm 5:55

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

In this era of easy access even to inaccessible things, it's hard to believe something so worthy of notice could slip beneath our cultural radar for so long. Yet Nick Currie, a Scottish pop aesthete who's been steadily releASINg records as Momus for more than a decade, has so far managed to evade stateside detection. Late 1997 brought his first-ever U.S. release, including a compilation and a brand-new studio album, Ping Pong, poising Momus to advance from utter obscurity to a more comfortably hip position--perhaps beside Currie's hero Serge Gainsbourg or his friends Pizzicato 5 in the near-underground of pop culture.

Ping Pong, with its opening theme invoking "futuristic vaudevillians," is full of dark humor, showmanship, and sophisticated cultural critiques. Songs explore fame and privacy, relish infanticide and celebrate youth, conduct a dialogue with God and express absurdly philo-Semitic views. Like all the best songwriters, Currie is in complete control of his craft. He can write in character, or in the voice of his female vocalists, and his own recordings--richly arranged but somewhat crude with drum machines and synths--suggest the possibilities for further interpretations. With songs like "Anthem of Shibuya" and "Lolitapop Dollhouse," Currie seems to cater to his largest audience, the Japanese. It's not a sellout but, rather, a further indication of his skill. In pop, giving people what they want is, after all, the art itself. --Roni Sarig

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