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Rene Marie, How Can I Keep from Singing? CD cover artwork

Rene Marie, How Can I Keep from Singing?

Audio CD

Disk ID: 220164

Disk length: 1h 14m 25s (13 Tracks)

Original Release Date: 2000

Label: Unknown

View all albums by Rene Marie...

Tracks & Durations

1. What A Difference A Day Makes 3:43
2. Tennessee Waltz 6:44
3. Motherless Child 1:27
4. Four Women 6:11
5. The Very Thought Of You 5:01
6. I Like You 4:07
7. Afro Blue 6:47
8. A Sleepin' Bee 6:21
9. Hurry Sundown 6:04
10. God Bless The Child 5:08
11. Take My Breath Away 5:25
12. How Can I Keep From Singing? 8:12
13. Thanks, but i don't dance (video) 9:06

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

The national arrival of Virginia-Washington, D.C. singer René Marie is a major event in the jazz vocal ranks. She has passion and technique to spare, and she's willing to try unusual material and fresh approaches. A ballad like "The Very Thought of You" shows her in command of all the traditional virtues, unfaltering pitch and articulation, subtle inflections of her sound, and a personal approach to reshaping melody. She even takes some signature songs and makes them her own, recasting "God Bless the Child" at a fast tempo that takes it out of Billie Holiday's exclusive orbit. She has a sense of a lyric's strength, too, whether it's the potent protest of Nina Simone's "Four Women" or the whimsy of Harold Arlen and Truman Capote's "A Sleepin' Bee."

The musicians are superb, working hand in glove with Marie well beyond the usual accompanying roles, from the Afro-Cuban modal powerhouse "Afro Blue" to the township groove of the title song. Pianist Mulgrew Miller surrounds her voice with the most apt chords, while bassist Ugonna Okegwo, solid throughout, makes a compelling duet of "Motherless Child." "Tennessee Waltz" picks up jazz harmonies from Marie's voice and a strong country-blues infusion from Marvin Sewell's slide guitar, while "Afro Blue" has Marie soaring with Sam Newsome's soprano saxophone, effectively imitating a flute in the process. Marie's also an affecting songwriter, as the uptempo "I Like You" and the sultry "Hurry Sundown" make clear. René Marie is a classic jazz singer, one who sets her standards by Billie Holiday, Ella Fitzgerald, and Sarah Vaughan but still makes her own statements. --Stuart Broomer

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