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Ryuichi Sakamoto, Love Is the Devil CD cover artwork

Ryuichi Sakamoto, Love Is the Devil

Audio CD

Disk ID: 1982819

Disk length: 48m 32s (30 Tracks)

Original Release Date: 1999

Label: Unknown

View all albums by Ryuichi Sakamoto...

Tracks & Durations

1. Lock 2:21
2. Fall 1:23
3. Walk 1:07
4. Sex 0:20
5. Museum 0:51
6. Bathroom 4:56
7. Boxing 1:03
8. Museum 0:45
9. Atelier 1:08
10. Bed-Museum 1:08
11. Nightmares 1:14
12. Switch 2:19
13. Sex 1:08
14. Redman 0:36
15. George In Rain 1:20
16. Redman 2 0:29
17. Toilet 1:54
18. Redman 3 1:15
19. Owl 2:19
20. Couch, Set up, Canvas 1:22
21. Bed 0:22
22. NY 1:09
23. Water Drop 1:06
24. Paint It Blue 1:25
25. Car Crash 1:18
26. Suicide 2:10
27. Monologue 2:22
28. Love Is The Devil 5:32
29. Lock(Live at KNITTING FACTORY) 1:58
30. Suicide(Live at KNITTING FACTORY) 1:53

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

Due likely to his other careers as a pop artist, producer, classical composer, actor, and fashion model, Ryuichi Sakamoto the film scorer has averaged less than one film a year since his delightfully melodic debut, Merry Christmas, Mr. Lawrence in 1983. But the Academy Award winner (The Last Emperor) has clearly eschewed quantity for quality, and his often-chilling music for Love Is the Devil (the first feature by vidoegrapher John Maybury--a disturbing portrait of artist Francis Bacon and his dark, obsessive relationship with his model/lover, George Dyer) is no exception. Sakamoto has long resisted composing mere musical narration for his film assignments; here he gets inside the characters by using the diverse palette and electronic techniques gleaned from his often cutting-edge pop work. This masterful melange of samples, treated piano, electronics, and white noise plays like a modern horror masterpiece, an eerie techno-concerto that owes more to Sakamoto's days as a student of electronic music and the avant-garde than to his sunny turn as leader of the Yellow Magic Orchestra. Think Bernard Herrmann displaced by an ocean and half-a-century of technology. --Jerry McCulleySoundtrack by Ryuichi Sakamoto. Further details TBA.

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