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Omara Portuondo, Flor de Amor CD cover artwork

Omara Portuondo, Flor de Amor

Audio CD

Disk ID: 994391

Disk length: 49m 23s (14 Tracks)

Original Release Date: 2004

Label: Unknown

View all albums by Omara Portuondo...

Tracks & Durations

1. Tabu 4:19
2. Amor De Mis Amores 3:23
3. Alma De Roca 3:35
4. Mueve La Cintura, Mulato 3:35
5. Junto A Un Canaveral 3:30
6. Hermosa Habana 3:48
7. El Madrugador 3:33
8. Amorosa Guajira 2:23
9. Habanera Ven 3:28
10. Si Llego A Besarte 3:19
11. Flor De Amor 3:06
12. Juramento 3:22
13. He Venido A Decirte 3:48
14. Casa Calor 4:07

Note: The information about this album is acquired from the publicly available resources and we are not responsible for their accuracy.

Review

The septuagenarian Cuban singer Omara Portundo is the lone female crooner of the famed Buena Vista Social Club. But in the 1940s and '50s, she was the velvet voice of the jazz/bossa nova inspired genre known as filin. On her second solo CD, which translates as "Flower of Love," Portundo leads an assembly of Cuban and Brazilian musicians, featuring her Buena Vista bandmates, singer Ibrahim Ferrer and bassist Orlando Cachaito Lopez. The Congolese guitar whiz Papi Oviedo, plays the Cuban tres on "Amor de Mis Amores," "Habanera Ven," "Amorosa Guajira," and the title track. Portundo's poetic pipes sweeten these Latin ballads, from the afro anthemed "Tabu," to "Casa Color," a new song penned for her by Brazil's Carlinhos Brown. Sonically seasoned with strings, woodwinds, guitars, and background vocals, Portundo's "musical love letters" are postmarked with five decades of Afro-Cuban artistry. --Eugene Holley, Jr.Flor de Amor (Flower of Love) is the second solo album for World Circuit by Cuba's leading female vocalist and Buena Vista Social Club star, Omara Portuondo. The best-selling solo artist of the Buena Vista collective next to Ibrahim Ferrer, Omara's debut in 2000 went to the top of the world music sales and airplay charts, and sparked two U.S. tours. This time out, her heartfelt vocals on a collection of musical love letters are backed by a combination of Cuban and Brazilian influences, giving the album a distinctive style. Recorded in Havana's Egrem Studios, the richly textured sound reveals the warmth and pathos familiar to fans of the singer, who traverses a varied set of Cuban songs.

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